Florencia García Chafuén as the Witch with impromptu shoe brank. Film still by Daniel Warren. The Work Room, Glasgow. April 2010.
Florencia García Chafuén as the Witch with impromptu shoe brank. Film still by Daniel Warren. The Work Room, Glasgow. April 2010.
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The filmmaker Daniel Warren was commissioned by The Work Room to make a film about the improvisational development of The Darktown Cakewalk: Celebrated from the House of FAME, April 2010. This extract from Daniel Warren's film shows the dancer Rosalind Masson as The Muse, wearing a Nasir Mazhar headress and articulating gestures found within depictions of the Muse within Greco-Roman mythology.
Maxwell Sterling plays double bass.
Linder and Richard Nicoll / photograph: Tim Walker/ collage: Linder/ clothes: Richard Nicoll. 2009
photograph: Tim Walker/collage: Linder /clothes: Richard Nicoll 2009
Charming Maid. Linder (Stuart Shave/Modern Art) 2008. Room Divider, Anthony Wilkinson Gallery, curated by Michael Bracewell.
Maxwell Sterling: double bass / Rachel Aisling Smith: Christian Louboutin boots and mechanical riveter / Sari Leivenon: tap shoes / Virgin: train
Recorded and edited by Antti Saario. The Darktown Cakewalk: Celebrated from the House of FAME. 23. iv. 2010, Glasgow.
Linder and Judith Williams. Glasgow 23. iv. 2010. photograph: Catriona Gourlay.
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Stuart McCallum - guitar / Florencia García Chafuén - The Witch /Rachel Aisling Smith - The Cakewalk King / / Judith Williams - Puella Aeterna.
Improvisation at The Work Room, Glasgow. February 2010.
dancer - Florencia García Chafuén/costume by Richard Nicoll/styled by Anthony Campbell/photograph by Jannica Honey. Glasgow 23. iv. 2010
"When Life seems dreary, Oh
Switch on your Stereo
And turn the volume too high:
Soft music makes us cry.
Come, girls and boys
More noise, more noise!
Yell while you can and save
Your silence for the grave.
Never look at a thing
Except through a camera lens.
The moral is, as they have said:
Be with-it, with-it, with-it till you're dead."
Extracts from The Entertainment of the Senses
W. H. Auden and Chester Kallman, September, 1973